| “情感乌托邦”批判; A Critique of Emotional Utopia | |
| 杨春时 | |
| 2009 | |
| 关键词 | 李泽厚 实践美学 情感乌托邦 审美乌托邦 LI Ze-hou practical aesthetics emotional Utopia aesthetic Utopia |
| 英文摘要 | 李泽厚的“实践美学“在后期发生了重大的转向,由前期强调“工具本体“,转向强调“心理本体“,特别是提出建构“情本体“;李泽厚美学由前期的“实践乌托邦“转向后期的“情感乌托邦“。李泽厚的情本体论依然延续了实践美学的主体性路线以及意识哲学的立场,而这也是它的致命弱点。现代人类为了摆脱生存困境,确实需要一个精神家园——审美乌托邦。审美乌托邦建立在存在(生存)本体论基础上,它超越了主体性与客体性的对立,也超越了意识美学和身体美学的对立。审美是自由的生存方式和超越的生存体验,体现出超越现实的终极追求。它能够在物质丰富、精神匮乏的现代社会,为人类建立一个精神家园。当代哲学走向审美主义,根据也在于此。; The practical aesthetics of LI Ze-hou at the late stage has changed significantly from orientation of instrumental noumenon at the early stage to orientation of psychological noumenon.Especially he put forward the construction of emotional noumenon.In the aesthetics of LI Ze-hou the practical Utopia of early stage has been in place of emotional Utopia of late stage.LI's emotional noumenon still insists on the subjective course of the practical aesthetics and stance of ideological philosophy,and its weakness lies within it.In order to disengage from the living dilemma,the human race needs a spiritual home indeed.The spiritual home is the aesthetic Utopia.The aesthetic Utopia is on the basis of existential ontology.It not only transcends the oppositeness of subjectivity and objectivity,but also the oppositeness of ideological aesthetics and physical aesthetics.Aesthetics is a kind of free living and transcendental living experience;it embodies the ultimate pursuits of transcending the reality;it can set up a spiritual home in the modern society which abounds in materials and lacks of spirit.That is the reason why the contemporary philosophy is on the way to aestheticism. |
| 语种 | zh_CN |
| 内容类型 | 期刊论文 |
| 源URL | [http://dspace.xmu.edu.cn/handle/2288/118688]  |
| 专题 | 人文学院－已发表论文 |
| 推荐引用方式 GB/T 7714 | 杨春时. “情感乌托邦”批判, A Critique of Emotional Utopia[J],2009. |
| APA | 杨春时.(2009).“情感乌托邦”批判.. |
| MLA | 杨春时."“情感乌托邦”批判".(2009). |
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