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	后现代主义之后:形而上美学的重建
	杨春时
	2015-08-20
英文摘要	如果说,百年中国现代美学史的每一步都与西方美学的“介入“息息相关,那么,当把西方美学从柏拉图到后现代理论都学习一遍之后,我们还能做什么呢？这个中国语境下的“后现代之后“的问题,说到底也就是如何走出“美学在中国“的尴尬,创立真正的“中国美学“的问题。对此,虽然从20世纪50年代的美学大讨论到80年代以来实践美学与后实践美学之争,几代人都在思考这个问题,但是,对今天的美学研究者而言,由于时代变了,消费经济、大众文化和互联网大大解放了人们的感性,因而对理论的需求也更趋迫切和强烈了。我们相信,美学既然被冠之为感性学,既然奠基于人类的情感与审美活动,那么中国美学必然要反映中国的感性、中国的情感和中国的审美,充满主体意识的“中国美学“只有在直面中国经验和中国传统中才能创立起来。为此,本刊以“探索中国美学的当代进路“为题,编发五位著名美学专家的思考,以飨读者。读者们会发现,尽管他们给出的具体答案不尽相同,各有鲜明的个性,但是他们对于中国当下问题的重视却是高度的一致,这足以给我们以深刻的启示。; If we relate every stage of Chinese modern aesthetic development in recent hundred years with the introduction of western aesthetics, what can we do then after learning western aesthetic theories from Plato to post-modern.In China, the question of "after post-modern" turns eventually to be how to step out of the predicament of "aesthetics in China", and establish an aesthetic system that is authentically on, of and for China.Since aesthetics is called the judgement of sentiment and taste, and based on human's emotional and aesthetic activities, Chinese aesthetics should study Chinese sentiment, emotion and aesthetic activities.Chinese aesthetics featured with Chinese subjectivity cannnot be set up without facing directly Chinese experience and Chinese tradition.This series of specials, with a theme of "Exploring New Research Methods of Chinese Contemporary Aesthetics", is contributed by fi ve famous Chinese aesthetic specialists.Although their settlement to this predicament is rather different from each other, they all take the predicament seriously, which provides a profound insigh and deep thought for us.
语种	zh_CN
内容类型	期刊论文
源URL	[http://dspace.xmu.edu.cn/handle/2288/118107]
专题	人文学院－已发表论文
推荐引用方式 GB/T 7714	杨春时. 后现代主义之后:形而上美学的重建[J],2015.
APA	杨春时.(2015).后现代主义之后:形而上美学的重建..
MLA	杨春时."后现代主义之后:形而上美学的重建".(2015).

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