| 苏轼文艺美学的主体间性; The Intersubjectivity of Su Shi's Literary Aesthetics | |
| 洪世林 | |
| 2013-11-20 | |
| 关键词 | 苏轼文艺美学 本体论 主体间性 Su Shi's literary aesthetics ontology intersubjectivity |
| 英文摘要 | 苏轼文艺美学的主体间性虽不充分、不纯粹,还不是有意识地主动追求,但其对审美体验的重视,其在现实空间和审美空间之间自由转换的审美体验,以及打通多种艺术形式的外在限制进入自由超越的审美境界,确实将中华美学向前推了一小步。; Although the intersubjectivity of Su Shi's literary aesthetics was not complete or pure, or consciously taking the initiative to pursue, he was serious about the aesthetic experience.His aesthetic experience could transform freely between real space and aesthetic space.And his action of getting through the external restriction of various forms of art to enter the aesthetic realm of freedom indeed push the Chinese aesthetics forward. |
| 语种 | zh_CN |
| 内容类型 | 期刊论文 |
| 源URL | [http://dspace.xmu.edu.cn/handle/2288/117470]  |
| 专题 | 人文学院－已发表论文 |
| 推荐引用方式 GB/T 7714 | 洪世林. 苏轼文艺美学的主体间性, The Intersubjectivity of Su Shi's Literary Aesthetics[J],2013. |
| APA | 洪世林.(2013).苏轼文艺美学的主体间性.. |
| MLA | 洪世林."苏轼文艺美学的主体间性".(2013). |
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