| 生态美学视域下的许地山创作; The Creation of Xu Dishan on the View of Ecological Aesthetics | |
| 周伟薇 | |
| 2013-09-15 | |
| 关键词 | 生态美学 许地山 世界的返魅 反人类中心主义 生态自我 ecological aesthetics Xu Dishan the reenchantment of world anti-anthropocentrism ecological-self |
| 英文摘要 | 许地山的创作呈现出鲜明的生态美学特征,具体表现在世界的返魅、反人类中心主义与生态自我三个方面。其创作显现的生态美学特征植根于深厚的宗教文化土壤,尤其是基督教与佛教。基督教与佛教构成了其创作的神学基础,并给予其创作深层的理论底蕴和书写动力。; Xu Dishan's creation exhibited obvious characteristics of ecological aesthetics which presented three factors;the reenchantment of world,anti-anthropocentrism and ecological self.The ecological aesthetic features in his works were rooted in deep religious-cultural soil,especially Christianity and Buddhism,which constituted the theological foundation of his creation,and gave him the theoretical thought and writing motivation.; 教育部人文社会科学基金青年项目(12YJCZH313) |
| 语种 | zh_CN |
| 内容类型 | 期刊论文 |
| 源URL | [http://dspace.xmu.edu.cn/handle/2288/117451]  |
| 专题 | 人文学院－已发表论文 |
| 推荐引用方式 GB/T 7714 | 周伟薇. 生态美学视域下的许地山创作, The Creation of Xu Dishan on the View of Ecological Aesthetics[J],2013. |
| APA | 周伟薇.(2013).生态美学视域下的许地山创作.. |
| MLA | 周伟薇."生态美学视域下的许地山创作".(2013). |
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