| 平躺的影像:新媒体语境中的电影艺术; Lying Image: the Art of Film in the Context of New Media | |
| 刘景福 ; 黄鸣奋 | |
| 2013-03-28 | |
| 关键词 | 平躺的影像 新媒体 电影 lying image new media movie |
| 英文摘要 | 新媒体技术支持下的电影屏幕朝两极发展,一是如IMAX这样能给人以视听震撼的巨型银幕,另一是如智能手机这般小巧灵活的微型视窗。就后者而言,影像由以往影院中高大的竖立状变成掌上媒体的微小平躺状。新媒体所导致的影像平躺,指的不仅是外观视觉效果,同时也是电影可操控、去层级化等深刻内涵的隐喻。记录载体的丰富、观影媒介的拓展、技术水平的提升,促使影像“躺“下来了;碎片化、块茎状、个性化、交互性,致使影像“躺“得与经典时代不一样;艺术灵光的消逝、社交功能的凸显、人际关系的变化、万众拼贴的狂欢,使得“躺“下来的影像具备新的美学意义。; With the development of new media technology,the screen of film develops toward two poles.One is big like IMAX,and the other is small as cell-phone.In terms of the latter,image changes from the upright form to the lying,which is not only the superficial visual effects,but also has profound connotation of being flat,anti-hierarchical and manipulated.What makes the image lying down are the richness of recording carrier,expansion of viewing media and promotion of technology.Differing from the classic movies,fragmentation,tuberosity,personalization,interactivity are the characteristics of the lying image.It has a new aesthetic meaning because of the disappearance of aura,prominent function of social interaction,revelry of people's collage and the changing of interpersonal relationship etc.; 国家社会科学基金重点项目“西方数码艺术理论六十年”(09AA001) |
| 语种 | zh_CN |
| 内容类型 | 期刊论文 |
| 源URL | [http://dspace.xmu.edu.cn/handle/2288/117412]  |
| 专题 | 人文学院－已发表论文 |
| 推荐引用方式 GB/T 7714 | 刘景福,黄鸣奋. 平躺的影像:新媒体语境中的电影艺术, Lying Image: the Art of Film in the Context of New Media[J],2013. |
| APA | 刘景福,&黄鸣奋.(2013).平躺的影像:新媒体语境中的电影艺术.. |
| MLA | 刘景福,et al."平躺的影像:新媒体语境中的电影艺术".(2013). |
| 个性服务 |
| 查看访问统计 |
| 相关权益政策 |
| 暂无数据 |
| 收藏/分享 |
除非特别说明，本系统中所有内容都受版权保护，并保留所有权利。
修改评论