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	论抗战时期的两种戏曲观; On two different drama theorists in the period of Anti-Japanese war
	杨惠玲
	2013-05-15
关键词	抗战 戏曲观 革命古典主义 艺术价值 Anti-Japanese war Drama views Revolutionary classicism Artistic values
英文摘要	抗战时期,戏曲论者可分为新、旧两派。由于他们的立足点和追求目标大相径庭,对戏曲的了解程度也大不一样,故而形成了各自不同的戏曲观。这两种戏曲观在很大程度上决定了战时戏曲的发展格局。; During the anti-Japanese war period,drama theorists could be divided into two classes,neoculture workers and the drama workers.As their standpoint and ambitions were wildly divergent,and they also differed in the extent of understanding drama,as a result,the two classes developed distinct drama thoughts.Therefore,to a great extent,these two kinds of drama view determined the anti-Japanese drama development pattern.; 国家社科基金艺术类重点课题《20世纪中国戏剧理论和批评史》阶段性成果;项目编号08AB02
语种	zh_CN
内容类型	期刊论文
源URL	[http://dspace.xmu.edu.cn/handle/2288/117352]
专题	人文学院－已发表论文
推荐引用方式 GB/T 7714	杨惠玲. 论抗战时期的两种戏曲观, On two different drama theorists in the period of Anti-Japanese war[J],2013.
APA	杨惠玲.(2013).论抗战时期的两种戏曲观..
MLA	杨惠玲."论抗战时期的两种戏曲观".(2013).

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