| 王安忆:上海“京派”与社会主义记忆; Wang Anyi:A Writer as the"Beijing School"in Shanghai and the Socialism Memory in Her Works | |
| 郑国庆 | |
| 2011 | |
| 关键词 | 王安忆 京派 浪漫派 社会主义 Wang Anyi Beijing School Romantic Socialism |
| 英文摘要 | 王安忆通常被目为“海派“传人。但若着眼于其美学理想、写作姿态与意识形态,则其在创作内质的某些方面更接近于“京派“。从《富萍》到《桃之夭夭》,王安忆开创了一个特殊的将京派美学移植到社会主义背景的创作面向。其间,写实图景所可能引爆的“批判“与浪漫怀思的“升华“之间的张力,构成了王安忆近年小说中最为特殊的景观。在好的时候,那种平民生活中蓄积的美与自然力相得益彰,呈现出一种救赎式的“灵韵“;在另一些时候,当涉及处理较为复杂的历史事件与图景时,她的京派/浪漫派的美学方式就显得失之简化。在近期的《启蒙时代》,她的京派/浪漫派的美学处理框架暴露出它形式与意识形态的局限。; Wang Anyi has been usually regarded as a successor of "Shanghai School",however,she is closer to the "Beijing School" on some aspects such as the aesthetic ideals,writing style and ideology of her creating activities.From Fu Ping to Too Zhi Yaoyao,Wang Anyi has created a special style by migration the aesthetics of Beijing School for a socialist background,which is the most unique landscape for Wang Anyi's latest novels that there is a tension between the "criticism" of the realistic pictures and the "sublimation" of the romantic Wyse.At one times,it shows a type "aura" of salvation by the accumulation of the beauty in the kind of civilian life and the forces of nature complement each other;at other times,when it comes to dealing with more complex pictures of historical events,the romantic aesthetics of her Beijing School seems be a simplified way.There are limitations of its form and ideology for the framework of her Beijing School' s Romantic aesthetics in her latest novel Age of Enlightenment. |
| 语种 | zh_CN |
| 内容类型 | 期刊论文 |
| 源URL | [http://dspace.xmu.edu.cn/handle/2288/116685]  |
| 专题 | 人文学院－已发表论文 |
| 推荐引用方式 GB/T 7714 | 郑国庆. 王安忆:上海“京派”与社会主义记忆, Wang Anyi:A Writer as the"Beijing School"in Shanghai and the Socialism Memory in Her Works[J],2011. |
| APA | 郑国庆.(2011).王安忆:上海“京派”与社会主义记忆.. |
| MLA | 郑国庆."王安忆:上海“京派”与社会主义记忆".(2011). |
| 个性服务 |
| 查看访问统计 |
| 相关权益政策 |
| 暂无数据 |
| 收藏/分享 |
除非特别说明，本系统中所有内容都受版权保护，并保留所有权利。
修改评论