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“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二
邹其昌 ; ZOU Qi-chang
2010-07-19 ; 2010-07-19
关键词朱熹 诗经诠释学美学 讽诵涵泳 叶韵理论 Zhuxi hermeneutics aesthetics of Shijing Xing Feng—Song—Han—Yong theory of "Xie—Yun" I207.22
其他题名"Feng-Song-Han-Yong"and the theory of "Xie-Yun"
中文摘要 "兴"恰好是中国古典诠释学美学最具深远影响和意义的范畴,也是《诗经》的本质。对《诗经》的诠释基本方式就在于"讽诵涵泳","叶韵理论"的应用就有利于"讽诵涵泳"的落实。朱熹美学的真正价值就在于对中国古典诠释学美学的创造性转进与拓展。; The "Xing" is even the category of having the most far-reaching influence and meaning in the classical Chinese Hermeneutics Aesthetics . It is the nature of Shijing,too.The best hermeneutical method on Shijing is "Feng-Song-Han-Yong",while the theory of "Xie-Yun" has more advantage of it. The true value of Zhuxi's Aesthetics lays in which it creatively transferred and expanded the classical Hermeneutics Aesthetics of China.
语种中文 ; 中文
内容类型期刊论文
源URL[http://hdl.handle.net/123456789/74805]  
专题清华大学
推荐引用方式
GB/T 7714
邹其昌,ZOU Qi-chang. “讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二[J],2010, 2010.
APA 邹其昌,&ZOU Qi-chang.(2010).“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二..
MLA 邹其昌,et al."“讽诵涵泳”与“叶韵理论”——论朱熹《诗经》诠释学美学诠释方式之二".(2010).
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