| 在多维性中体现创造——对中国当代设计批评主要原则的思考 | |
| 李丛芹 ; 张夫也 ; LI Cong-qin ; ZHANG Fu-ye | |
| 2010-05-14 ; 2010-05-14 | |
| 关键词 | 中国当代设计批评 主要原则 如何运用 多维性 Chinese contemporary design criticism main principles application methods multidimensionality. J50 |
| 其他题名 | Creation in Multidimensionality-Reflections on Main Principles of Chinese Contemporary Design Criticism |
| 中文摘要 | 中国当代设计批评的主要原则是:以"适用"为轴心的有效功能,以"和谐"为特色的真实形式,以"生活质量"为旨归的诗意品性,以"整体逻辑"为基石的有机结构,以"历时性"、"共时性"交织为形态的清晰文脉,以及以"善"为核心的温厚伦理。六条原则是从不同的层级和视角对同一批评对象的深究密察,是一个综合的、立体的评论,是一个整体。因此,在运用中既不能因为均衡和折中而削弱批评的深度、力度和锐气,又应该防止几个原则之间发生冲突和对立。同时,这些原则是开放的、发展的,不能教条化,更不能当成批评理论中的修辞。; The main principles of Chinese contemporary design criticism are as follows: the effectiveness centered on application,the authentic form characterized as "harmony",the poetic pursuit of "living standard",the organic structure based on "holistic logic",the clear cultural context intermixing with "diachronism" and "simultaneity",and the tenderhearted ethics focusing on "kindness".These six critical principles are a profound exploration on one critical object from different levels,directions or angles,offering integrative and multidimensional comments as a whole.Therefore,not only should the critical depths,strengths and sharpness not be undermined in terms of equilibrium or compromise,but also the conflicts and opposability among them should be prevented.Meanwhile,these principles are opening and developing.They should not be regarded as a sort of rhetoric in the theories of criticism. |
| 语种 | 中文 ; 中文 |
| 内容类型 | 期刊论文 |
| 源URL | [http://hdl.handle.net/123456789/33749]  |
| 专题 | 清华大学 |
| 推荐引用方式 GB/T 7714 | 李丛芹,张夫也,LI Cong-qin,等. 在多维性中体现创造——对中国当代设计批评主要原则的思考[J],2010, 2010. |
| APA | 李丛芹,张夫也,LI Cong-qin,&ZHANG Fu-ye.(2010).在多维性中体现创造——对中国当代设计批评主要原则的思考.. |
| MLA | 李丛芹,et al."在多维性中体现创造——对中国当代设计批评主要原则的思考".(2010). |
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